Ed Bye By the end of this fourth year, Red Dwarfhad completed its metamorphosis from a modest studio-bound sitcom with a futuristic premise to a full-blown science-fiction series, complete with a relatively lavish (by BBC standards) special-effects budget, more impressive sets and more location shooting. Despite the heavier emphasis on SF, the character-based comedy remained as sharp as ever. Witness the Cat's reaction to Lister's pus-filled exploding head; Kryten's devastatingly sarcastic defence of Rimmer; or, the classic scene that opens the series, Lister teaching Kryten to lie.

In "Camille", Robert Llewellyn's real-life wife plays a female mechanoid who transforms into something else entirely, as does the episode, which by the end becomes a delightful skit on Casablanca. "DNA" comes over all SF, with lots of techno-speak about a matter transmogrifier and a RoboCophomage—but in typical Dwarffashion, turns out to be all about curry. "Justice" sees Rimmer on trial for the murder of the entire crew, while Lister attempts to evade a psychotic cyborg. Holly gets her IQ back in "White Hole", but wastes time debating bread products with the toaster. "Dimension Jump" introduces dashing doppelganger Ace Rimmer for the first time—he was to return in later series, with diminishingly funny results. Here his appearance is all the better for its apparent improbability. Finally, "Meltdown" goes on location (to a park in North London) where waxdroids of historical characters (played by a miscellaneous selection of cheesy lookalikes) are at war. Only intermittently successful, this episode is really memorable for Chris Barrie's tour-de-force performance, as Rimmer becomes a crazed, Patton-esque general.

On the DVD:Red Dwarf, Series 4, like its predecessors, comes as a two-disc set complete with full cast commentary for every episode, an extensive retrospective documentary (mostly featuring the cast reminiscing), deleted scenes and lots of other fun bits of trivia. —Mark Walker

Ed Bye The third series of Red Dwarfintroduced some radical changes—all of them for the better—but the scripts remained as sharp and character-focussed as ever, making this a firm candidate for the show's best year. Gone were the dull metallic grey sets and costumes, gone too was Norman Lovett's lugubrious Holly, replaced now by comedienne Hattie Hayridge, who had previously played Hilly in the Series 2 episode "Parallel Universe". New this year were custom-made costumes, more elaborate sets, the zippy pea-green Starbug, bigger special effects and the wholly admirable Robert Llewellyn as Kryten.

The benefits of the show's changes are apparent from the outset, with the mind-bending hilarity of "Backwards", in which Kryten and Rimmer establish themselves as a forwards-talking double-act on a reverse Earth. After a modest two-hander that sees Rimmer and Lister "Marooned", comes one of the Dwarf's most beloved episodes, "Polymorph". Here is the ensemble working at its best, as each character unwittingly has their strongest emotion sucked out of them. Lister loses his fear; Cat his vanity; Kryten his reserve; and Rimmer his anger ("Chameleonic Life-Forms. No Thanks"). "Body Swap" sees Lister and Rimmer involved in a bizarre attempt to prevent the ship from self-destructing. "Timeslides" delves deep into Rimmer's psyche as the boys journey haphazardly through history. Finally, "The Last Day" shows how completely Kryten has been adopted as a crewmember, when his replacement Hudzen unexpectedly shows up.

On the DVD:Red Dwarf, Series 3two-disc set maintains the high standard of presentation and wealth of extra material established by its predecessors. Among other delights there are the usual "Smeg Ups" and deleted scenes, plus another fun commentary with the cast. There's a lengthy documentary, "All Change", specifically about Series 3, a tribute to costume designer Mel Bibby, Hattie Hayridge's convention video diary, and—most fascinating—the opportunity to watch "Backwards" played forwards, so you can finally understand what Arthur Smith's backwards-talking pub manager actually says to Rimmer and Kryten in the dressing room. —Mark Walker

It's brown alert time all over again for Red Dwarffans with the fifth season of the much-loved sci-fi/comedy series. Episode-wise, it's business as usual for the crew of the Red Dwarf—that is, if one considers encountering an alien squid that squirts a despair-inducing hallucinogen ("Back to Reality", later voted the best episode of the series by viewers and Stephen Hawking!), evil (and not particularly bright) versions of the crew ("Demons and Angels"), a virus that causes insanity ("Quarantine"), and a trip to a moon created entirely from the mind of the insufferable hologram Rimmer ("Terrorform") business as usual.

In short, it's six hilarious episodes, highlighted by the typically terrific writing of creators Rob Grant and Doug Naylor (who also direct two episodes). As with the previous deluxe DVD releases, Series Vfeatures a wealth of supplemental features, the most intriguing of which is a look at the failed attempt to recreate the show in America (with U.K. cast member Robert Llewellyn and Star Trek: Deep Space Nine's Terry Farrell as Cat). Also included are cast and fan commentaries, featurettes on the show's "science" and villains, special effects tests, blooper reels, and a sampling of Grant and Naylor's BBC 4 radio sketch "Dave Hollins, Space Cadet", which served as the inspiration for Red Dwarf. Dedicated DVD owners will also be rewarded by Easter eggs lurking throughout the menus. —Paul Gaita

Douglas Adams

Isaac Asimov

David Brin

Greg Bear

Gregory Benford

Isaac Asimov

Isaac Asimov

Isaac Asimov

Isaac Asimov

Isaac Asimov

Isaac Asimov

Isaac Asimov

Eric Brown Philip K. Dick

Iain M. Banks

Neal Stephenson

Neal Stephenson

John Wyndham

Series 6 is possibly the most eagerly awaited of the Red DwarfDVD sets, due to its acclaimed third episode, "Gunmen of the Apocalypse", which earned the program an International Emmy Award in 1994. However, the five other episodes in the series have their own share of absurd laughs, and the two-disc set features enough supplemental features to keep even the most demanding RDfan happy. The crux of series 6 is that the Red Dwarfhas been stolen (no thanks to Lister, who can't remember where he left it), and the crew must recover it; their pursuit brings them in contact with brain-consuming aliens ("Psirens", with guest star Jenny Agutter), a polymorph that turns Rimmer and Cat into their alternate identities from Series V ("Emohawk—Polymorph II"), the Four Horsemen of the Apocalypse tricked out as gunslingers ("Gunmen of the Apocalypse"), an army of Rimmer clones ("Rimmerworld"), and finally, their own future selves, who turn out to be particularly awful (worse than the present-day ones, that is), and cause a cliffhanger ending that just might spell the end for the Red Dwarf crew.... In short, series 6 more than earns its popular status among Red Dwarf's fanbase, thanks to its sharp writing (sadly, it would be the last series to feature scripts by co-creator Rob Grant) and energetic performances. And the double-disc set matches the quality of the programs with some terrific extras, including commentaries by the RD crew and fans (the latter on "Gunmen of the Apocalypse" only), and featurettes on composer Howard Goodall and series director Andy de Emmony; these are rounded out by the usual collections of "smeg-ups" (bloopers), deleted scenes, behind-the-scenes footage, and another episode of the "Dave Hollins, Space Cadet" radio sketch that inspired the show. And again, the most patient of viewers will find Easter eggs on the menus (happy hunting). —Paul Gaita

Richard Matheson It seems strange to find a 1954 vampire novel in Millennium's "SF Masterworks" classic reprints series. I Am Legend, though, was a trailblazing and later much imitated story that reinvented the vampire myth as SF. Without losing the horror, it presents vampirism as a disease whose secrets can be unlocked by scientific tools. The hero Robert Neville, perhaps the last uninfected man on Earth, finds himself in a paranoid nightmare. By night, the bloodthirsty undead of small-town America besiege his barricaded house: their repeated cry "Come out, Neville!" is a famous SF catchphrase. By day, when they hide in shadow and become comatose, Neville gets out his wooden stakes for an orgy of slaughter. He also discovers pseudoscientific explanations, some rather strained, for vampires' fear of light, vulnerability to stakes though not bullets, loathing of garlic, and so on. What gives the story its uneasy power is the gradual perspective shift which shows that by fighting monsters Neville is himself becoming monstrous—not a vampire but something to terrify vampires and haunt their dreams as a dreadful legend from the bad old days. I Am Legend was altered out of recognition when filmed as The Omega Man (1971), starring Charlton Heston. Avoid the movie; read the book. —David Langford

Jon Courtenay Grimwood

As paranoid cop Del Spooner, Will Smith displays both his trademark quips and some impressive pectoral muscles in I, Robot. Only Spooner suspects that the robots that provide the near future with menial labor are going to turn on mankind—he's just not sure how. When a leading roboticist dies suspiciously, Spooner pursues a trail that may prove his suspicions. Don't expect much of a connection to Isaac Asimov's classic science fiction stories;I, Robot, the action movie, isn't prepared for any ruminations on the significance of artificial intelligence. This likable, efficient movie won't break any new ground, but it does have an idea or two to accompany its jolts and thrills, which puts it ahead of most recent action flicks. Also featuring Bridget Moynahan, Bruce Greenwood, and James Cromwell. —Bret Fetzer

William Goldman

Neal Stephenson

Gene Wolfe

Cordwainer Smith

Much praised and much missed after its premature cancellation, Fireflyis the first SF TV series to be conceived by Joss Whedon, creator of Buffyand cocreator of Angel. Set five centuries in the future, it is a show where the mysterious personal pasts of the crew of the tramp spaceship Serenitycontinually surface. In fact, it's a Western in space where the losers in a Civil War are heading out to a barren frontier. Mal Reynolds is a man embittered by the war, yet whose love of his comrades perpetually dents his cynicism—even in the 14 episodes that exist we see him warm to the bubbly young mechanic Kaylee, the preacher Book, the idealistic doctor Simon, even to the often demented River, Simon's sister, the psychic result of malign experiments.

Fireflyis also about adult emotional relationships, for example Kaylee's crush on Simon, the happy marriage of Mal's second officer Zoe and the pilot Wash, the disastrous erotic stalemate between Mal and the courtesan Inara. Individual episodes deal with capers going vaguely wrong, or threats narrowly circumvented; character and plot arcs were starting to emerge when the show was cancelled. Fortunately, the spin-off movie Serenityis planned; and in the meantime, what there is of Fireflyis a show to marvel at, both for its tight writing and ensemble acting, and the idiocy of the executives who cancelled it.

On the DVD:Fireflyon DVD is presented in anamorphic 1.78:1 with Dolby Surround Sound. It includes commentaries on six episodes by various writers, directors, designers and cast members as well as featurettes on the conception of the show and the design of the spaceship Serenity, four deleted scenes, a gag reel, and Joss Whedon singing the show's theme tune, more or less. One of the things that emerges from all of this is how committed to the project everyone involved with it was, and is—unusually, you end up caring as much for the cast and crew as for the characters. The discs have subtitles in English and Spanish and the option of listening to the soundtrack dubbed into Spanish or French. —Roz Kaveney

Marc Scott Zicree

Jane Espenson

H.P. Lovecraft

Keith R.A. DeCandido

Neal Stephenson

Serenityis a film that, by rights, shouldn't have been made. For starters, it's spun out of the short-lived and quickly-cancelled TV series Firefly, which has only itself got the full recognition it deserves on DVD. It then marries up two seemingly incompatible genres, the western and science fiction, has no major stars to speak of, and pretty much has `hard sell' written all over it.

Perhaps that explains its modest box office performance back in 2005. What it fails to reflect, however, is that this is one of the most energetic, downright enjoyable sci-fi flicks in some time. Not for nothing did many rate it higher than the Star Warsmovie that appeared in the same year.

It follows renegade captain Mal Reynolds and his quirkily assembled crew, as they work on the outskirts of space, trying to keep out of the way of the governing Alliance. That plan quickly changes when they take on a couple of passengers who have attracted the attention of said Alliance, and thus the scene is set for an action-packed, cleverly written movie that deserves many of the plaudits that have rightly been thrust in its direction.

What's more, Serenityworks whether you've seen the TV series that precedes it or not. Clearly fans of the Fireflyshow will be in their element, but even the casual viewer will find an immense amount to enjoy.

The only real problem is that given the film's box office returns, further adventures of Reynolds and his crew look unlikely. Unless Serenityturns into a major hit on DVD, that is. It's well worth playing your part in making that happen.—Simon Brew

Joss Whedon

Peter F. Hamilton The term "space opera" has evolved over the decades. Originally it meant "hacky, grinding, stinking, outworn, spaceship yarn" (Wilson Tucker), but since then it has come to be (slightly) less pejorative, encompassing any sci-fi action story on an interplanetary or interstellar scale. The Reality Dysfunction rests firmly in the space- opera camp with its intense starship combat, roguish space captains and raw frontier planets, but Peter Hamilton keeps the formula fresh and up-to-date with an infusion of "modern" science fiction technology. His universe is digitally and nanotechnologically savvy, which opens up plenty of possibilities for new perils and plot twists.

It is the late 26th century and humanity's thriving culture spans 200 planets. The usual squabbles and disagreements continue, but generally everyone gets along and lives well as humanity's outward expansion continues apace. On newly colonized Lalonde, though, a strange force emerges from the jungle, lobotomizing people and turning them into super-powered soldiers. At the same time, the story of Joshua Calvert emerges. He's the young captain of a trading ship, who innocently travels to Lalonde and becomes embroiled in the mysteries there. Both threads have plenty of action and exotic scenery. Peter Hamilton's descriptive prose, particularly in action sequences, is breathtaking (and scientifically accurate), creating a dramatic backdrop for a story where the stakes keep getting higher, the villains keep growing more evil and the heroes keep surviving—but only just. Space-opera fans will enjoy this deftly written and engaging novel. Those who feel they don't like the genre might give this example a try to see just how unhacky, ungrinding, sweet-smelling, and robust it can be. —Brooks Peck

Peter F. Hamilton

Peter F. Hamilton

Dan Simmons

Max Brooks

Daniel H. Wilson

Ray Bradbury

John Swartzwelder A comedy science fiction novel, featuring slow-witted detective Frank Burly. By John Swartzwelder, the author of "The Time Machine Did It", "Double Wonderful", and 59 episodes of The Simpsons.

John Carpenter

Arthur C. Clarke

Neal Stephenson Frederick George

Max Brooks

John Wyndham

Peter F. Hamilton Remember those fact-filled appendices in Frank Herbert's Dune and JRR. Tolkien's The Lord of the Rings? Here's the equivalent—though separately packaged—for Peter Hamilton's enormous and popular Night's Dawn SF trilogy, comprising The Reality Dysfunction, The Neutronium Alchemist and The Naked God, plus related stories collected in A Second Chance at Eden.

As a "non-fiction" companion volume, The Confederation Handbook maps out this future galaxy's joyous complications. Technologies: the affinity gene allowing telepathic man/machine communication; neural-nanonics implants which link your brain to the net; intelligent voidhawk and blackhawk spacecraft; forbidden antimatter weapons; and space drives. People: human Adamists who reject the affinity gene; Edenists whose affinity links offer a "real" afterlife that replaces religion, struggling colonists everywhere; and three very different alien species—the Tyrathca, Kiint and Jiciro. Places: crowded old Earth with its O'Neill halo of orbital installations; communist Mars; utopian Edenist habitats mining helium-3 fusion fuel from gas-giant planets; quirkily various colony worlds; and the mysterious alien wreckage of the Ruin Ring.

The Handbook carefully, almost too carefully, avoids spoiler revelations about the apocalyptic action of Night's Dawn. As in those books, its Timeline stops before the main story begins, and—besides names of "Possessors" in a cast list slightly updated from The Naked God's—the superpowered returned dead who threaten the entire Federation aren't mentioned at all. Readers nervous of SF terminology may find this a useful guide to the trilogy's huge, exhilarating blend of roller-coaster action and ghost-train chills. —David Langford

Peter F. Hamilton

Peter F. Hamilton Peter F. Hamilton's flair for huge, star-spanning SF adventures continues with Judas Unchained. This concludes the single long novel—over 1,800 pages in all—whose first half is Pandora's Star.

Humanity's interstellar Commonwealth is in serious trouble. Thirteen of its hundreds of worlds (linked by wormholes and high-speed trains) were lost to a first mass attack by the insanely hostile alien Primes. The controlling Prime intelligence, MorningLightMountain, can imagine no way of dealing with first contact but genocide—and has the resources to do it.

Amid political and personal chaos, it's becoming clear that the war was arranged by a third party. For centuries, only the fanatical, outlawed Guardians cult believed in this mysterious influence called the Starflyer. New evidence emerges, only to vanish again. Key figures are destroyed by near-invincible assassins crammed with inbuilt "wetwired" weaponry. One determined detective is on the track, but she faces massive political opposition.

The multi-stranded action follows many criss-crossing human stories, with fights, pursuits, quests, deaths, resurrections, exotic landscapes and armaments, good sex, and several interesting aliens. Betrayals are frequent, thanks to brainwashed Starflyer agents in positions of trust. Only the Guardians have a scheme to deal with the Starflyer itself—a grandiose strategy known as "the planet's revenge"—but no one trusts those crazy cultists…

In space, the arms race becomes dizzying, with Prime doomsday weapons used against suns while frantic human research leads to "quantumbusters" so appalling that there's serious moral debate about their use. Can we face the guilt of total genocide, even against a horror like MorningLightMountain? Or is there some way to force this psychopathic genie back into the bottle?

The action climaxes in a long, exhilarating chase sequence spiced with ultra-violent skirmishing as the Starflyer comes into the open at last. Stormgliding, an extreme sport introduced in book one, becomes vital to the race against time. Meanwhile, rival starships with different plans chase one another to the Prime system. Hamilton delivers the expected multiple payoffs with suitable pyrotechnics and a satisfying scatter of happy endings. A long, colourful, suspenseful example of modern British space opera. —David Langford

Peter F. Hamilton

Dwayne Carey-Hill

Robert C. Cooper

Peter F. Hamilton Peter Hamilton is famed for SF blockbusters of far-future interstellar adventure. By contrast Misspent Youth is a social comedy set in the year 2040 in England. When gene therapy rewinds Jeff Baker's age back to his early 20s he finds that wisdom and experience are no match for hormones...

The rejuvenation treatment, developed by federal Europe to impress laggard America, is so complex and expensive that only one person every 18 months can receive it. Jeff is the first because he's a celebrity inventor, father of the "datasphere" which superseded the Internet.

Family upheavals follow. An "arrangement" with his much younger, still beautiful wife Sue lets her enjoy lovers while the aged Jeff turns a blind eye: now things are different. Meanwhile their 18-year-old son Tim is struggling ineptly with teenage sexual pangs and the impossibility of understanding girls. All part of growing up, but Jeff's renewed youth brings farcical complications.

It's not just that Jeff now fancies Sue again. He can't resist even younger women. An early one-night stand is publicised all over the datasphere. Embarrassment escalates when he's seduced by the granddaughter of a long-time pub companion. Worse, several of Tim's ravishing female schoolmates are interested in Jeff the celebrity stud. The dishiest of all is Tim's latest, most hopelessly adoring girlfriend.

Can it be coincidence that the action mostly happens in Rutland?

This comedy of embarrassments and revelations has a darker background: Europe is plagued by separatist movements whose terrorist habits make the old IRA look like pussycats. The turning point in Jeff's tangled relationships comes when he attends a London conference surrounded by protest that breeds riot—with Tim among the protesters.

A foreshadowed twist leads to a finale that mixes cynicism with sentiment. En route Misspent Youth is a lot of fun. —David Langford

Martin Wood A feature-length adventure that bases itself around the universe of Stargate SG-1, Continuum makes the most of the increased budget clearly available, and serves up a hugely enjoyable, action-packed slice of science-fiction that makes you wish they'd all hurry up and make the next instalment.

Stargate: Continuum follows on from the earlier feature-length The Ark Of Truth, and it focuses on a staple storyline of science fiction television, the alternate timeline. In this instance, it's an Earth where the Stargate simply hasn't been discovered, and nobody has any knowledge of the crew's adventures.

Wisely using this story mechanic as a basis rather than the main thrust of Stargate: Continuum, the action soon focuses on a well-realised attempt by the Ba'al to conquer Earth. It's exciting stuff, and while the credits arguably roll a little too early, it's very welcome work from the SG-1 favourites that builds up to a strong outing for all concerned. And in the midst of them is the returning Richard Dean Anderson as O'Neill, and very welcome he is too.

Stargate: Continuum makes good use of both the extended running time that a feature offers, as well as the extra resources that were clearly available in front of and behind the camera. It's inevitably going to be enjoyed most of all by SG-1's fanbase, but there's plenty in here too for the casual science-fiction enthusiast. —Jon Foster

Carnivale The second season of HBO's Depression-era gothic—John Steinbeck by way of Tod Browning—picks up where the first left off. Professor Lodz (Patrick Bauchau) is dead. Ben (Nick Stahl), the show's protagonist, appears to be the culprit. Samson (Michael J. Anderson) helps him dispose of the body. Later he tells the other carnival workers that Lodz "took a powder." Lila (Debra Christofferson) doesn't buy it. Meanwhile, Sophie (Clea DuVall), who lost her mother to fire the previous year, feels unmoored without her guidance. A few states away, Brother Justin (Clancy Brown) harbors ever greater delusions of grandeur—and inappropriate thoughts about his sister, Iris (Amy Madigan). In "Alamagordo, NM," he decides to establish a temple, which he dubs Jonestown, er, Jericho. At the same time, life amongst the carnies, who are heading towards Justin's California, is becoming increasingly tense. Ruthie (Adrienne Barbeau), for instance, is starting to see dead people—like Lodz—and Stumpy (Toby Huss) is no longer able to keep his gambling in check. As with the first season, the action continues to alternate between the carnival and the congregation. What binds the two is a man named Scudder (John Savage), who has connections to Ben and Justin. Although writer/creator Dan Knauf had planned to tie things up between seasons three and six, HBO did not renew Carnivàle a second time. Nonetheless, a surprising number of questions are answered, like the identity of "Management" (voiced by an un-credited Linda Hunt) and whether Ben and Justin will have a final showdown. The answer to the latter question is: Yes, they will—and there’ll be casualties. —Kathleen C. Fennessy

Neal Stephenson

William Gibson Case was the best interface cowboy who ever ran in Earth's computer matrix. Then he double- crossed the wrong people.… Winner of the Hugo, Nebula and Philip K. Dick Awards.

Peter F. Hamilton

Danny Boyle

Neal Stephenson Quicksilver is a massive, exuberant and wildly ambitious historical novel that's also Neal Stephenson's eagerly awaited prequel to Cryptonomicon—his pyrotechnic reworking of the 20th century, from World War II codebreaking and disinformation to the latest issues of Internet data privacy.

Quicksilver, "Volume One of the Baroque Cycle", backtracks to another time of high intellectual ferment: the late 17th century, with the natural philosophers of England's newly formed Royal Society questioning the universe and dissecting everything that moves. One founding member, the Rev John Wilkins, really did write science fiction and a book on cryptography—but this isn't history as we know it, for here his code book is called not Mercury but Cryptonomicon. And although the key political schemers of Charles II's government still have initials spelling the word CABAL, their names are all different...

While towering geniuses like Newton and Leibniz decode nature itself, bizarre adventures (merely beginning with the Great Plague and Great Fire) happen to the fictional Royal Society member Daniel Waterhouse, who knows everyone but isn't quite bright enough for cutting-edge science. Two generations of Daniel's family appear in Cryptonomicon, as does a descendant of the Shaftoes who here are soldiers and vagabonds. Other links include the island realm of Qwghlm with its impossible language and the mysterious, seemingly ageless alchemist Enoch Root.

As the reign of Charles II gives way to that of James II and then William of Orange, Stephenson traces the complex lines of finance and power that form the 17th-century Internet. Gold and silver, lead and (repeatedly) mercury or quicksilver flow in glittering patterns between centres of marketing and intrigue in England, Germany, France and Holland. Paper flows as well: stocks, shares, scams and letters holding layers of concealed code messages. Binary code? Yes, even that had already been invented and described by Francis Bacon.

Quicksilver is crammed with unexpected incidents, fascinating digressions and deep-laid plots. Who'd believe that Eliza, a Qwghlmian slave girl liberated from a Turkish harem by mad Jack Shaftoe (King of the Vagabonds) could become a major player in European finance and politics? Still less believable, but all too historically authentic, are the appalling medical procedures of the time—about which we learn a lot. There are frequent passages of high comedy, like the lengthy description of a foppish earl's costume which memorably explains that someone seemed to have been painted in glue before "shaking and rolling him in a bin containing thousands of black silk doilies".

This is a huge, exhausting read, full of rewards and quirky insights that no other author could have created. Fantastic or farcical episodes sometimes clash strangely with the deep cruelty and suffering of 17th-century realism. Recommended, though not to the faint-hearted. —David Langford

Aldous Huxley

Neal Stephenson, Frederick George

Neal Stephenson

Peter F. Hamilton The acclaimed Peter Hamilton's standalone SF adventure Fallen Dragon sees him taking a breather after the immense, galaxy-spanning Night's Dawn trilogy, with a tauter story of future skirmishing in a mere few solar systems.

Centuries hence, despite faster-than-light travel, human interstellar exploration is stagnating. There's not enough money in it for the vast controlling companies such as Zantiu-Braun, now reduced to extracting profits via "asset realisation"—plundering established colonies that can't withstand Earth's superior weapons tech.

Lawrence Newton's childhood dreams were all about space exploration. Now he's just another Z-B squaddie, trained to use the feared, half-alive "Skin" combat biosuits, which offer super-muscles, armour and massive firepower, all queasily hooked into the wearer's bloodstream and nervous system. Commanding a platoon in Z-B's raid on planet Thallspring, Lawrence has secret plans to make off with a rumoured alien treasure.

But Thallspring resistance is unexpectedly tough, thanks to locals such as Denise Ebourn who have mysterious access to neuro-electronic subversion gear far subtler and perhaps more dangerous than Skin. Meanwhile, how fictional are the stories Denise tells her school pupils, about a fabled Empire that ruled our galaxy for a million years before becoming... something else?

Hamilton excels at violent action, but not with the dreadful simplicity of space opera. Despite his role in the explosive Thallspring situation, Lawrence genuinely hopes to avoid bloodshed—while Denise's lofty idealism results in chilling atrocities, and even Z-B may be less cruel and monolithic than it seems.

A breakneck interstellar chase leads to a satisfying finale and an unexpected romantic twist. This is solid, meaty SF entertainment. —David Langford

Jane Austen, Seth Grahame-Smith

John Christopher

Adam Roberts

Alastair Reynolds

Clive Owen, Oana Pellea, Alfonso Cuaron Presenting a bleak, harrowing, and yet ultimately hopeful vision of humankind's not-too-distant future, Children of Men is a riveting cautionary tale of potential things to come. Set in the crisis-ravaged future of 2027, and based on the atypical 1993 novel by British mystery writer P.D. James, the anxiety-inducing, action-packed story is set in a dystopian England where humanity has become infertile (the last baby was born in 2009), immigration is a crime, refugees (or "fugees") are caged like animals, and the world has been torn apart by nuclear fallout, rampant terrorism, and political rebellion. In this seemingly hopeless landscape of hardscrabble survival, a jaded bureaucrat named Theo (Clive Owen) is drawn into a desperate struggle to deliver Kee (Clare-Hope Ashitey), the world's only pregnant woman, to a secret group called the Human Project that hopes to discover a cure for global infertility. As they carefully navigate between the battling forces of military police and a pro-immigration insurgency, Theo, Kee, and their secretive allies endure a death-defying ordeal of urban warfare, and director Alfonso Cuaron (with cinematographer Emmanuel Lubezki) capture the action with you-are-there intensity. There's just enough humour to balance the film's darker content (much of it coming from Michael Caine, as Theo's ageing hippie cohort), and although Children of Men glosses over many of the specifics about its sociopolitical worst-case scenario (which includes Julianne Moore in a brief but pivotal role), it's still an immensely satisfying, pulse-pounding vision of a future that represents a frightening extrapolation of early 21st-century history. —Jeff Shannon

Ursula Le Guin ARMCHAIR TRAVEL FOR THE MIND: It was Sita Dulip who discovered, whilst stuck in an airport, unable to get anywhere, how to change planes - literally. With a kind of a twist and a slipping bend, easier to do than describe, she could go anywhere - be anywhere - because she was already between planes ...and on the way back from her sister's wedding, she missed her plane in Chicago and found herself in Choom. The author, armed with this knowledge and Rornan's invaluable Handy Planetary Guide - although not the Encyclopedia Planeria, as that runs to forty-four volumes - has spent many happy years exploring places as diverse as Islac and the Veksian plane. CHANGING PLANES is an intriguing, enticing mixture of GULLIVER'S TRAVELS and THE HITCH HIKER'S GUIDE TO THE GALAXY; a cross between Douglas Adams and Alain de Botton: a mix of satire, cynicism and humour by one of the world's best writers.

Rick Worthy When the final credits rolled on the end of Battlestar Galactica’s final season, you could be forgiven for thinking that’s your lot. Granted, there was one hell of an ending to wrap your head around, but the tale had pretty much been told. Or, as it turned out, it’d nearly been told. For Battlestar Galactica: The Plan wraps up the plot element that had never been fully addressed by the show during its run: just how did the Cylons put their dastardly scheme together in the first place.

Battlestar Galactica: The Plan sets about answering that question with the help of lots of footage from the show across its run. Skilfully weaving new events around scenes that seasoned Battlestar fans will know oh-so-well, The Plan confidently fills in some of the gaps, and further fleshes out the Cylons are three-dimensional foes of extreme danger.

Is it a satisfying TV movie that comes out of the end of it? Just about, yes. It’s hard to argue that The Plan is entirely necessary, as all it adds is a little bit of gravy over the top of the main dish if anything. But it’s still a fun, clever addition to the Battlestar Galactica universe, and satisfyingly digs more and more into the plans of the Cylons that kickstarted the whole series off. —Jon Foster

Allan Kroeker, David Solomon, David Straiton, Dwight H. Little, Elodie Keene From Joss Whedon comes a new groundbreaking show starring Eliza Dushku as Echo, an operative in an underground organization that provides hired personas for various missions.

Disc 1: 230 Minutes
Forced Trailers: Wolverine, Joss Whedon Properties Trailer, I Love You Beth Cooper, Nobel Son, Wrong Turn 3, The KeeperGhostEpisode Commentary with Joss Whedon and Eliza DushkuThe TargetStage FrightGray HourTrue Believer
Disc 2: 230 Minutes
Man on the StreetEpisode Commentary by Joss WhedonEchoesNeedsA Spy in the HouseHaunted
Disc 3: 229 Minutes
Briar RoseOmegaEpitaph OneEpisode Commentary by Jed Whedon and Maurissa TancharoenOriginal Unaired Pilot - "Echo"Commentary w/ Cast & CrewDeleted ScenesMaking DollhouseComing Back HomeFinding EchoDesigning the Perfect DollhouseA Private Engagement

Sam Rockwell, Kevin Spacey, Duncan Jones Sam Rockwell, Kevin SpaceyDirector: Duncan Jones

Peter F. Hamilton

Leonardo DiCaprio, Ellen Page, Christopher Nolan

Anna Torv, Joshua Jackson, Akiva Goldsman, Alex Graves, Bill Eagles, Bobby Roth, Brad Anderson Easily one of the most interesting and unusual science fiction shows of recent times, Fringe comes from J.J. Abrams, the very same man who had a hand in Lost, Alias and the quite brilliant recent Star Trek movie reboot. And while this may be lower profile than some of those projects, it’s nonetheless equally as worthy of attention.

The central concept is actually quite similar to The X-Files, with a core of three main characters investigating what they call ‘fringe science’. This manifests itself with a series of unusual situations and happenings, that the team proceed to investigate and try and get to the bottom of.

The Fringe crew consists of FBI Special Agent Olivia Dunham, Peter Bishop and the quite brilliant creation that is his father, Walter Bishop. Walter, played expertly by John Noble, is like every mad scientist in the world wrapped into one wonderful character, and Fringe is often at its strongest when he’s is stage centre.

This first season of Fringe runs for 20 episodes, all of which are included on this set, and it does occasionally struggle to find its feet. That’s no surprise given the show’s infancy, but it also hits some spectacularly good highs, including a marvellous cameo in the season finale that’d be remiss to spoil here. It also throws in a smart underlying narrative, and leaves things finally poised for the already-commissioned second season. In short, a strong show, and one with real potential to get even better. —Jon Foster

Mike Ashley Many readers are attracted to science fiction for that singular moment when a story expands your imagination, enabling you to see something in a new light. This book collects some of the finest examples of mind-expanding and awe-inspiring science fiction.

Christopher Priest 'One of two or three of the most impressive pure-SFnovels produced in the UK since World War Two' ENCYCLOPAEDIA OF SCIENCE FICTION.

Brian Aldiss The first published novel of England's greatest living SF writer

Joshua Jackson, Anna Torv

John Swartzwelder One of a series of comedy/science fiction novels featuring slow-witted detective Frank Burly. By John Swartzwelder, the writer of 59 episodes of The Simpsons.

Andrew Lincoln, Jon Bernthal, Frank Darabont, Ernest R. Dickerson, Guy Ferland, Gwyneth Horder-Payton, Michelle Maxwell MacLaren Arguably the biggest hit of the US 2010 television season, the apocalypse drama The Walking Dead pulls the zombie subgenre out of its overexposed doldrums and finds, ironically enough, the humanity and emotion beneath its rotting shell. Produced by Frank Darabont (The Shawshank Redemption) and Gale Anne Hurd (Aliens) and based on the acclaimed graphic novel by Robert Kirkman, The Walking Dead follows a band of Atlanta-based survivors of a viral outbreak that has caused the dead to rise up and consume the living. The group's nominal leader is a sheriff's deputy (Andrew Lincoln) who wakes from a gunshot-induced coma to find the world in disarray and his wife (Sarah Wayne Callies, Prison Break) and son missing. His search for his family and the survivors' attempts to make sense of their lives in the wake of the outbreak is handled with intelligence and sensitivity, which helps to elevate the show beyond the grindhouse take on zombies, which favours spilled guts over character development. That's not to say that the blood doesn't flow plentifully here: the special effects are on par with zombie-movie mayhem, but again, they aren't the show's raison d'être. Solid performances, including Jon Bernthal as Lincoln's partner, Jeffrey DeMunn as the group's leading rationalist, and Michael Rooker and Norman Reedus as a pair of trouble-making rednecks, and gripping suspense make each of the first season's six episodes compelling from start to finish for both horror fans and those who dislike the genre as a whole.

The two-disc set of The Walking Dead's first season includes all six episodes, as well as a number of making-of extras, including the show's conception and production, a talk with Robert Kirkman (he's a fan), a look at the makeup by KNB Studios, and the show's panel at the 2010 ComicCon. All of the principal players on both sides of the camera are given adequate screen time to discuss their vision for the show, its influences (George Romero, naturally), and the challenges of depicting the end of civilisation on a budget. —Paul Gaita

China Miéville

Lauren Beukes ZINZI DECEMBER FINDS PEOPLE. Even if they don't want to be found - like missing pop starlet Songweza. Trouble is, when you go turning over stones and digging up secrets it isn't long before the real truth comes to light. A truth the local crime lord, dark magician and beast master, will kill to keep hidden. In Lauren Beukes' shattered city, magic is horribly real and the criminal classes sport symbiotically linked animals. A stunningly original urban fantasy.

Neil Gaiman

George R R Martin First volume of a brilliant new fantasy trilogy: the most powerful, original and absorbing new epic since Stephen Donaldson's Chronicles of Thomas Covenant. The first volume of George R R Martin's glorious high fantasy tells the tragic story of treachery, greed and war that threatens the unity of the Seven Kingdoms south of the Wall. Martin unfolds with astonishing skill a tale of truly epic dimensions, thronged with memorable characters, a story of treachery and ambition, love and magic. Set in a fabulous world scarred by battle and catastrophe over 8000 years of recorded history, it tells of the deeds of men and women locked in the deadliest of conflicts and the terrible legacy they will leave their children. In the game of thrones, you win or you die. And in the bitter-cold, unliving lands beyond the Wall, a terrible winter gathers and the others — the undead, the neverborn, wildlings to whom the threat of the sword is nothing — make ready to descend on the realms of men. A Game of Thrones begins the most imaginative, ambitious and compelling fantasy epic since The Lord of the Rings. Thronged with memorable characters, it unfolds with astonishing skill a tale of truly epic dimensions. There have been many pretenders to the throne of Tolkien: now at last he has a true heir.

China Mieville

China Mieville A dark urban fantasy thriller from one of the all-time masters of the genre

Harlan Ellison

Neal Stephenson

Peter F. Hamilton

Director John Carpenter and special makeup effects master Rob Bottin teamed up for this 1982 remake of the 1951 science fiction classic The Thing from Another World, and the result is a mixed blessing. It's got moments of highly effective terror and spine-tingling suspense, but it's mostly a showcase for some of the goriest and most horrifically grotesque makeup effects ever created for a movie. With such highlights as a dog that splits open and blossoms into something indescribably gruesome, this is the kind of movie for die-hard horror fans and anyone who slows down to stare at fatal traffic accidents. On those terms, however, it's hard not to be impressed by the movie's wild and wacky freak show. It all begins when scientists at an arctic research station discover an alien spacecraft under the thick ice, and thaw out the alien body found aboard. What they don't know is that the alien can assume any human form, and before long the scientists can't tell who's real and who's a deadly alien threat. Kurt Russell leads the battle against the terrifying intruder, and the supporting cast includes Richard Masur, Richard Dysart, Donald Moffat, and Wilford Brimley. They're all playing standard characters who are neglected by the mechanistic screenplay (based on the classic sci-fi story "Who Goes There?" by John W. Campbell), but Carpenter's emphasis is clearly on the gross-out effects and escalating tension. If you've got the stomach for it (and let's face it, there's a big audience for eerie gore), this is a thrill ride you won't want to miss. —Jeff Shannon

Boris Strugatsky, Arkady Strugatsky

Gene Wolfe A supernatural horror novel. Set a hundred years in the future, it is the story of an actress who becomes the lover of both a mysterious private detective and an even more mysterious and rich man, a man who has been to the human colony on an alien planet and learned strange things there. Her loyalties are divided - perhaps she loves them both.

Adam Christopher It was the last great science hero fight, but the energy blast ripped a hole in reality, and birthed the Empire State - a young, twisted parallel prohibition-era New York. When the rift starts to close, both worlds are threatened, and both must fight for the right to exist. File Under: Science Fiction [Pocket Universe | Heroes or Villains | Speak Easy | Loyalties Divided].

Philip K. Dick

Adam Roberts In a world where we have been genetically engineered so that we can photosynthesise sunlight with our hair hunger is a thing of the past, food an indulgence. The poor grow their hair, the rich affect baldness and flaunt their wealth by still eating. But other hungers remain ...The young daughter of an affluent New York family is kidnapped. The ransom demands are refused. A year later a young women arrives at the family home claiming to be their long lost daughter. She has changed so much, she has lived on light, can anyone be sure that she has come home? Adam Roberts' new novel is yet another amazing melding of startling ideas and beautiful prose. Set in a New York of the future it nevertheless has echoes of a Fitzgeraldesque affluence and art-deco style. It charts his further progress as one of the most important writers of his generation.

Neal Stephenson, Erik Bear, Greg Bear, Joseph Brassey, E.D. deBirmingham, Cooper Moo, Mark Teppo

Jane Rogers Jane Rogers creates an extraordinary character in Jessie Lamb, determined to make her life count in a self-destructing world as the certainties of her life are ripped apart.

Gardner Dozois Drawing on the annual series 'Best New SF', this title features 13 of the finest science fiction novels. The tales include: 'Sailing to Byzantium', 'Griffin's Egg', 'Turqouise Days', 'Mr Boy', 'Forgiveness Day', and, 'Oceanic'.

Madeline Stowe, Bruce Willis, Brad Pitt, Christopher Plummer, Frank GorshinDirector: Terry Gilliam

Peter F. Hamilton MINDSTAR RISING (B) (NEC)

Peter F. Hamilton

Ned Beauman

When Nick Fury (Samuel L. Jackson), the director of an international peacekeeping agency known as S.H.I.E.L.D., encounters an unexpected enemy that threatens global safety and security, he finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins for Earth's mightiest heroes. Iron Man (Robert Downey Jr.), Captain America (Chris Evans), The Incredible Hulk (Mark Ruffalo), Thor (Chris Hemsworth), and two of the world's greatest assassins, Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner), must assemble to defeat Loki (Tom Hiddleston), the darkest villain the Earth has ever known.

Anna Torv, Joshua Jackson

Neal Stephenson, Erik Bear, Greg Bear, Joseph Brassey, Nicole Galland, Cooper Moo, Mark Teppo This riveting second installment in Stephenson and company’s epic tale focuses on the aftermath of the world-shattering Mongolian invasion of 1241 and the difficult paths undertaken by its most resilient survivors.

The Shield Brethren, an order of warrior monks, search for a way to overthrow the horde, even as the invaders take its members hostage. Forced to fight in the Mongols’ Circus of Swords, Haakon must prove his mettle or lose his life in the ring. His bravery may impress the enemy, but freedom remains a distant dream.

Father Rodrigo receives a prophecy from God and believes it’s his mission to deliver the message to Rome. Though a peaceful man, he resigns himself to take up arms in the name of his Lord. Joining his fight to save Christendom are the hunter Ferenc, orphan Ocyrhoe, healer Raphael, and alchemist Yasper, each searching for his place in history.

Deftly blending fact and fantasy, The Mongoliad: Book Two captures the indomitable will to survive against immense odds.

A note on this edition: The Mongoliad began as a social media experiment, combining serial story-telling with a unique level of interaction between authors and audience during the creative process. Since its original iteration, The Mongoliad has been restructured, edited, and rewritten under the supervision of its authors to create a more cohesive reading experience and will be published as a trilogy of novels. This edition is the definitive edition and is the authors' preferred text.

Hannu Rajaniemi Jean le Flambeur is a post-human criminal, mind burglar, confidence artist and trickster. His origins are shrouded in mystery, but his exploits are known throughout the Heterarchy - from breaking into the vast Zeusbrains of the Inner System to steal their thoughts, to stealing rare Earth antiques from the aristocrats of the Moving Cities of Mars. Except that Jean made one mistake. Now he is condemned to play endless variations of a game-theoretic riddle in the vast virtual jail of the Axelrod Archons - the Dilemma Prison - against countless copies of himself. Jean's routine of death, defection and cooperation is upset by the arrival of Mieli and her spidership, Perhonen. She offers him a chance to win back his freedom and the powers of his old self - in exchange for finishing the one heist he never quite managed . . . The Quantum Thief is a dazzling hard SF novel set in the solar system of the far future - a heist novel peopled by bizarre post-humans but powered by very human motives of betrayal, revenge and jealousy. It is a stunning debut

Daniel Kaluuya, Johnny Harris

Anna Torv, Joshua Jackson

Madeline Ashby Amy Peterson is a self-replicating humanoid robot known as a VonNeumann. For the past five years, she has been grown slowly as part of a mixed organic/synthetic family. She knows very little about her android mother's past, so when her grandmother arrives and attacks her mother, Amy wastes no time: she eats her alive. Now she carries her malfunctioning granny as a partition on her memory drive, and she's learning impossible things about her clade's history - like the fact that she alone can kill humans without failsafing...

Joseph Gordon-Levitt, Bruce Willis, Rian Johnson In the futuristic action thriller Looper, time travel will be invented - but it will be illegal and only available on the black market. When the mob wants to get rid of someone, they will send their target 30 years into the past, where a "looper" - a hired gun, like Joe (Joseph Gordon-Levitt) - is waiting to mop up.

Joe is getting rich and life is good... until the day the mob decides to "close the loop," sending back Joe's future self (Bruce Willis) for assassination. The film is written and directed by Rian Johnson and also stars Emily Blunt, Paul Dano, and Jeff Daniels. Ram Bergman and James D. Stern produce.

  Actors Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano, Noah Segan, Piper Perabo, Jeff Daniels, Pierce Gagnon, Qing Xu, Tracie Thoms, Frank Brennan, Garret Dillahunt, Nick Gomez, Marcus Hester & Jon EyezDirector Rian JohnsonCertificate 15 years and overYear 2012Screen 1.78:1 AnamorphicLanguages EnglishSubtitles English

Shane Carruth, David Sullivan

Iain M Banks Two and a half millennia ago, the artifact appeared in a remote corner of space, beside a trillion-year-old dying sun from a different universe. It was a perfect black-body sphere, and it did nothing. Then it disappeared. Now it is back. 'Banks is a phenomenon ...wildly successful, fearlessly creative' William Gibson 'Thrilling, affecting and comic ...probably the finest science fiction he has written to date' New Scientist 'Banks has rewritten the libretto for the whole space-opera genre' The Times

Peter Higgins A thousand miles east of Mirgorod, the great capital city of the Vlast, deep in the ancient forest, lies the most recent fallen angel, its vast stone form half-buried and fused into the rock by the violence of impact. As its dark energy leeches into the crash site, so a circle of death expands around it, slowly - inexorably - killing everything it touches. Alone in the wilderness, it reaches out with its mind. The endless forest and its antique folklore are no concern to Inspector Vissarion Lom, summoned to the capital in order to catch a terrorist - and ordered to report directly to the head of the secret police. A totalitarian state, worn down by an endless war, must be seen to crush home-grown terrorism with an iron fist. But Lom discovers Mirgorod to be more corrupted than he imagined: a murky world of secret police and revolutionaries, cabaret clubs and doomed artists. Lom has been chosen because he is an outsider, not involved in the struggle for power within the party. And because of the sliver of angel stone implanted in his head at the children's home. Lom's investigation reveals a conspiracy that extends to the top echelons of the party. When he exposes who - or rather what - is the controlling intelligence behind this, it is time for the detective to change sides. Pursued by rogue police agents and their man-crushing mudjhik, Lom must protect Kantor's step-daughter Maroussia, who has discovered what is hidden beneath police headquarters: a secret so ancient that only the forest remembers. As they try to escape the capital and flee down river, elemental forces are gathering. The earth itself is on the move.

Chris Beckett You live in Eden. You are a member of the Family, one of 532 descendants of Angela and Tommy. You shelter beneath the light and warmth of the Forest's lantern trees, hunting woollybuck and harvesting tree candy. Beyond the forest lie the treeless mountains of the Snowy Dark and a cold so bitter and a night so profound that no man has ever crossed it. The Oldest among you recount legends of a world where light came from the sky, where men and women made boats that could cross between worlds. One day, the Oldest say, they will come back for you. You live in Eden. You are a member of the Family, one of 532 descendants of two marooned explorers. You huddle, slowly starving, beneath the light and warmth of geothermal trees, confined to one barely habitable valley of a startlingly alien, sunless world. After 163 years and six generations of incestuous inbreeding, the Family is riddled with deformity and feeblemindedness. Your culture is a infantile stew of half-remembered fact and devolved ritual that stifles innovation and punishes independent thought. You are John Redlantern. You will break the laws of Eden, shatter the Family and change history. You will be the first to abandon hope, the first to abandon the old ways, the first to kill another, the first to venture in to the Dark, and the first to discover the truth about Eden.

Anna Torv, Joshua Jackson

Shane Carruth

Adrian Barnes

China Miville A colossal fantasy of incredible diversity and spellbinding imagination. A human cargo bound for servitude in exile ...A pirate city hauled across the oceans ...A hidden miracle about be revealed ...These are the ingredients of an astonishing story. It is the story of a prisoner's journey. Of the search for the island of a forgotten people, for the most astonishing beast in the seas, and ultimately for a fabled place - a massive wound in reality, a source of unthinkable power and danger.

Madeline Ashby

Donald Sutherland, Brooke Adams, Philip Kaufman In San Francisco everyone can hear Veronica (Alien) Cartwright scream. In the ultimate urban nightmare, to sleep is to die, to be replaced by a soulless alien duplicate. Less a remake of the 1956 classic of the same name, more a fresh vision of Jack Finney's source novel, Invasion of the Body Snatchers is the archetypal story of humans supplanted by unemotional "vegetable pods". A masterstroke is the introduction of SF icon Leonard Nimoy as a very West Coast relationships guru determined to explain everything in terms of urban psychological alienation, and the story does prove more unsettling on the big city's forbidding streets. This is very much an ensemble movie, with outstanding performances from Donald Sutherland and Brooke Adams, and what proved to be the first of several key genre roles for Jeff (The Fly, Jurassic Park, Independence Day) Goldblum. With minimal effects and very little gore, but filled with unnerving camera angles and a underpinned by a chillingly effective score, the film is relentlessly suspenseful, culminating in a sequence of terrifying set-pieces and a truly spine-tingling finale. More resonant with each passing year, the story was reworked in 1993 as Body Snatchers.

On the DVD: While the print is more than acceptable there is a loss of detail and some shimmering artefacts in the very dark scenes. The disc is not anamorphically enhanced, which really should be a standard DVD feature. Still, the picture is considerably ahead of VHS and the stereo sound is highly unsettling. An eight-page booklet gives an intelligent overview of all three Body Snatchers movies, and director Phil Kaufman's commentary is packed with information. —Gary S. Dalkin

Sean Ferrell Say you're a time traveler and you've already toured the entirety of human history. After a while, the outside world might lose a little of its luster. That's why this time traveler celebrates his birthday partying with himself. Every year, he travels to an abandoned hotel in New York City in 2071, the hundredth anniversary of his birth, and drinks twelve-year-old Scotch (lots of it) with all the other versions of who he has been and who he will be. Sure, the party is the same year after year, but at least it's one party where he can really, well, be himself.

The year he turns 39, though, the party takes a stressful turn for the worse. Before he even makes it into the grand ballroom for a drink he encounters the body of his forty-year-old self, dead of a gunshot wound to the head. As the older versions of himself at the party point out, the onus is on him to figure out what went wrong—he has one year to stop himself from being murdered, or they're all goners. As he follows clues that he may or may not have willingly left for himself, he discovers rampant paranoia and suspicion among his younger selves, and a frightening conspiracy among the Elders. Most complicated of all is a haunting woman possibly named Lily who turns up at the party this year, the first person besides himself he's ever seen at the party. For the first time, he has something to lose. Here's hoping he can save some version of his own life.

Adam Roberts Golden Age SF meets Golden Age Crime in this British Science Fiction Award winner for best novel, from the author of Swiftly, New Model Army, and Yellow Blue Tibia

 

Jack Glass is the murderer—we know this from the start. Yet as this extraordinary novel unfolds, readers will be astonished to discover how he committed the murders and by the end of the book, their sympathies for the killer will be fully engaged. Riffing on the tropes of crime fiction (the country house murder, the locked room mystery) and imbued with the feel of golden age SF, this is another bravura performance from Roberts. Whatever games he plays with the genre, whatever questions he asks of the reader, Roberts never loses sight of the need to entertain. Filled with wonderfully gruesome moments and liberal doses of sly humor, this novel is built around three gripping HowDunnits that challenge notions of crime, punishment, power, and freedom.

George Clooney, Sandra Bullock, Alfonso Cuaron